So: we walked the 25ish miles from Frome to Bath, stopping to swim, eat and pour water at various points along the way.
Sounds like a kicking weekend, huh? But this turned out to be one of those experiences where time seems to expand to accommodate all the stuff its brings. I think of this as herniated time—time which bulges sideways and intrudes into eternity, or timelessness, or both (if they’re not the same).* All this to be obtained merely by putting one foot in front of the other.
The morning’s walk on day one took us across fields, past poplar-copses (we stopped to listen to the wind in the leaves) (more…)
There must be some kind of equation for packing.
If N=number of things you’d like to take, C the number of things you feel you can carry, and P what you can actually fit in your pack, the initial relationship between N, C and P can be assumed to be something like N>C≥P. After that it gets a bit confusing; but the net result is definitely F, which is what you say when you pick it up for the fifteenth time that day and your shoulders are very, very angry.
I was off to Somerset for a two-day water pilgrimage from the Holy Well at Frome to Aquae Sulis, the springs which feed the baths in, well, Bath. (more…)
This is a wide-raging anthology of verse from a range of different cultures. Taking loss and grieving as its topic, the anthology is arranged into different sections. It doesn’t use the well-known—and sometimes unfairly-maligned—Kubler-Ross five stages of grieving. Instead, it groups the poems under: ‘reckoning’, ‘regret’, ‘remembrance’, ‘ritual’, ‘recovery’ and ‘redemption’. Apart from betraying the editor’s capacity skilfully to use alliteration (!), this grouping is, I think, a useful one, helping the reader to navigate the book and have a better chance of finding the right text for how that particular moment feels.
For me The Art of Losing is more stimulating than other collections of poems about loss and grief simply because every time I pick it up I meet a new author, or new poem, in which I can delight. Perhaps this is, in part, due to its focus on new and contemporary writing: Young explains that while he he has included a few ‘absolutely necessary’ C19th poems, he has ‘tried to stick to poems that are contemporary classics, or soon ought to be’. Other grief anthologies will give you wisdom, heartbreak and love from across the centuries, reminding you of what is universal in human experience over time. Those anthologies have their place: treasure remains treasure no matter how old it is. But Young gives us the chance to uncover new treasures.
There are too many authors included for me to be able to give any kind of representative list. All I can say is: buy this book. Whether you are grieving now, have grieved, work with those who grieve, or simply want to meet some new poems that will find you, then I don’t think this collection will disappoint. Treat yourself to it.
The Big Day.
It’s in the post. Should I hire trumpeters, skywriters, a marquee? A cloistered cell in which to grieve? Do I want a Greek chorus to keen over the event, or a Glee chorus to celebrate it? Do I don some kind of ritual clothing, à la Victorian mourning garb, or go out and buy whatever constitutes my personal equivalent of a combover, a sports car or a push-up bra?
You may detect some ambivalence here. Over the last years (more…)