Are you sitting comfortably? Then we’ll begin.
“In a time then and now/In a place far and near/In a world of which old stories tell/A land cradled in light―/Sun by day, moon by night―/Is held safe under summer’s sweet spell”. This is Summerland, where The Song of the Silent Child is set. The eponymous Silent Child is despised in this land of perpetual happiness, and it isn’t until she meets Old Mother Love, the Crone/wise woman who is dying, that the Child learns who she is: “’You go by (more…)
Well, this is exciting and scary in about equal measure. (There seems to be a lot of that in what the afternoon knows.)
I’m putting this up in case any of you might be interested in coming along. On Saturday 12th October one of the choirs I sing in is putting on the first (I’m trying not to say only!) performance of a piece which I have co-created: what the composer is calling a “dramatic cantata”, for which I have written the libretto. I’ve never done anything like this before and it’s all quite odd: I saw my name on a poster in the town centre the other day and wanted simultaneously to leave the country and also to take a selfie in front of it (and as you can imagine, I’m not normally a selfie girl. I compromised by taking a picture of the poster). I’ll have more to say when it’s officially a Thing, of course, but it would be lovely to see any wtak readers, their friends, and other singers, along to support us (those of you who are not already in it, of course!). Eeeeeek!
See you there…?
When I was 6 or 7, my Dad returned from a trip to Germany bringing me the most wondrous packet of felt pens I’d ever seen. They were double-ended, with a fat end for colouring large areas and a pointy end for detail. Forget previously-desirable Platignum and Pentel: in early-70s Aberdeen, this was serious Blue Petering kit. This was love.
Soon after, I announced that I wanted to be an opera singer when I grew up. Opera singers came from Germany (of course), so this would be the way (more…)
‘Think it possible that you may be mistaken’. This is the final sentence of number 17 of the Quaker Advices and queries (a key text in Quakerism). Is there anyone, anywhere, any time (pass the Martini!) who couldn’t benefit from sitting with that idea for a while?
Here I was, arriving from Oxford at Didcot Parkway on the way to a Quaker Enquirers’ course at the splendidly-named Charney Manor. I was emotionally exhausted after the morning’s encounter with lost youth, and physically exhausted after having a run (flatter than Kendal, but muddier also), wandering round town for miles, and lugging a large backpack whose hipbelt, I discovered too late, was no longer operational. And friends, there’s a lot of train stuff at Didcot Parkway. I mean, a LOT. What with that, and (more…)
Stripping off with a bunch of other people, variously familiar to me, in the chilly, cramped vestry of some hitherto-unknown church. Dressing for Saturday Night in modest, full-length black, then perching on a chair in an unheated church hall, eating squashed sandwiches. All the ingredients of a perfectly normal weekend for me.
I’ve been singing in choirs since I was about 7 (not continuously, obviously), and this has frequently involved doing gigs in (more…)