’96 cans of beer, or 3 dead otters.’
This was Jana’s response when I asked how much the big cool-box held. But before you get on the blower to the RSPCA, let me add that part of her work supports a research programme about otters, which involves the collection and study of otter-corpses. Makes sense, of course, to cool them: minimise whiff, preserve the maximum amount of information… Still. I was kinda glad we were using a different cool-box for our trip. (Plus: (read more…)
For weeks now, being in the Cumbrian countryside has been like walking through a 70s Flake ad, only with no innuendo and barely enough chocolate. The meadows are extraordinary this year. I’ve never seen so many buttercups, such clover and poppies, never mind the numberless others I can’t name; and I can’t remember seeing a farmer, one man, mowing a meadow (sorry) for hay, so early. But on this hot Bank Holiday Monday the freshly-cut fields were corduroy-striped with (read more…)
“This is a magnificent piece of walling which shows off the expertise of the men who built them. Note that the wall has horizontal courses, while the top stones slope with the hill and are built with the wall rather than simply sitting on top. There is a strong wall end above the gorge”. Well, who knew? She who hath eyes to see, and all that.
The wall thus celebrated features in a walk round Coniston and the Old Man, given in a booklet produced by the Cumbria Dry Stone Walling Association (from which that description is taken). My friend Jenny suggested (read more…)
Like Bach, wild swimming and my sister’s home-made blue cheese and mushroom pizza, spring soon exhausts my superlatives, so I’ll simply go with Hopkins and say that ‘Nothing is so beautiful as spring’. On a day like this, who could possibly disagree?
I discovered this tiny nature reserve only last year—a friend recommended it—and by the time I got there the bluebells were already on the wane. Ever since, I’d been looking forward to this spring and (read more…)
You can read this poem here.
This is one of those poems I read and simply think, ‘Yes’. The simplicity of the rhyme-scheme and the regularity of the metre feel part of the irrefutability of what the poem has to say. It seems very Housman that he’s feeling such a drive to make the most of his time at the not-very-old-really age of twenty! I started mentally re-writing stanza two to say ‘Now of my threescore years and ten/Fifty will not come again’ and then realised it was all going to go wrong at the end of life three, so abandoned that… But however premature his worry may seem, about running out of time, his point stands: that spring is a time when we may connect with the joy of renewal, the beauty of the world, and the anguish of our own fleetingness. I think Housman has it right, though. The only thing to do, in the end, is make the most of what you get. About the woodlands let us go…