Tag: nature

thing 18: ‘kissing the joy as it flies’: a bluebell wood

Like Bach, wild swimming and my sister’s home-made blue cheese and mushroom pizza, spring soon exhausts my superlatives, so I’ll simply go with Hopkins and say that ‘Nothing is so beautiful as spring’. On a day like this, who could possibly disagree?

I discovered this tiny nature reserve only last year—a friend recommended it—and by the time I got there the bluebells were already on the wane. Ever since, I’d been looking forward to this spring and (read more…)

‘loveliest of trees, the cherry now’, AE Housman

You can read this poem here.

This is one of those poems I read and simply think, ‘Yes’. The simplicity of the rhyme-scheme and the regularity of the metre feel part of the irrefutability of what the poem has to say. It seems very Housman that he’s feeling such a drive to make the most of his time at the not-very-old-really age of twenty! I started mentally re-writing stanza two to say ‘Now of my threescore years and ten/Fifty will not come again’ and then realised it was all going to go wrong at the end of life three, so abandoned that… But however premature his worry may seem, about running out of time, his point stands: that spring is a time when we may connect with the joy of renewal, the beauty of the world, and the anguish of our own fleetingness. I think Housman has it right, though. The only thing to do, in the end, is make the most of what you get. About the woodlands let us go…

thing 14: ‘the dearest freshness deep down things’: lamb-hunting

Call me Ishmael.

Don’t worry, though. I’m not talking harpoons or shotguns here. It’s just that I do get possessed, each spring, by a need to find and gaze upon lambs—the wobblier and boing-ier the better. The obsession comes on really strong in early February and lasts till Mayish, when wild-swimming fever takes over. So there was never any question that lamb-hunting would be a Thing.

And now it’s time! It is a bright cold day in February and the flocks are dotting the green. Well-swaddled, I (read more…)

thing 11: ‘the peerless crust’: sarnies on a hillside in Lancashire

In Notes from a Small island, Bill Bryson puts it like this:

‘I counted thirty-three people there ahead of us, huddled among the fog-whitened boulders with sandwiches, flasks and madly fluttering maps, and tried to imagine how I would explain this to a foreign onlooker—the idea of three dozen English people having a picnic on a mountain top in an ice storm—and realized there was no way you could explain it’. And you can see what he’s saying. However. Whether it’s Britishness, or nature, or nurture, in the end it (read more…)

‘When Death Comes’, Mary Oliver

You can read this poem here.

Whenever I’ve shared poetry in groups, and we’ve explored this poem, it has always had resonances for the participants. Whether the groups are about loss, mortality, love of nature, mindfulness, the search for meaning, ways to live more happily in this bewildering, bruising but also beautiful world… whatever the immediate focus, people find nourishment in this poem. It speaks to them.

The images of death are so simple, but so powerful. That death should ‘[snap] the purse shut’ calls to my mind those old-fashioned purses with the cross-over clasps with spheres on the end of little stalks, which slide across and past each other and shut with such satisfying conviction. I can feel them ‘snap’ home under my fingers as I read those words. Death as a ‘hungry bear in autumn’, feeding urgently, because it must, and willing to take whatever it comes across; death as the dreadful shock of the ‘iceberg between the shoulder blades’—something that dwarfs us and mows us down, without malice or intention, simply because of what it is, and where we happen to be… I find these images unforgettable.

How amazing, though, is where, in Oliver’s hands, these images lead us. Not to lamentation (or not explicitly); but rather, to an honouring of what unites us; to an openness to possibilities; to an acceptance that we all must ‘tend towards silence’; to an honouring of all life as something ‘precious’: and to the determination to live as vividly, intensely, fully as possible. That importance of the distinction between visiting and living isn’t spelled out, but has a quiet profundity which convinces me entirely. This poem gives me a way to think about how I want to live: I don’t want simply to be a visitor here: I want to live here, to belong here, to be a fully-involved citizen of this world, for as long as I am given. And Oliver even suggests how we may do this: by being both bride and bridegroom, ‘married to amazement’, and ‘taking the world in [our] arms’. That might not entirely prevent me being ‘sighing and frightened,/or full of argument’, but it it feels like the very most I can do to minimise that.

Thank you, Mary. I’m so grateful for this poem.