It was one of those days Messrs Ordnance & Survey tend to put on the covers of their 1:25,000s: deep green hills, and water sparkling under a sky whose few meringues of cloud only emphasised the depth of the blue.
Usually, stopping for a squint at the map during a trudge across the rain-wreathed landscape, your cag hood rustling about your ears and your face screwed up against the wind, you regard these images with a sort of resentful disbelief. (I call this look ‘the (more…)
… Nobody brings anything small into a bar round here.
One of the lines which convinced me about Tom Waits; and I remain convinced, despite the discovery that the line was lifted more or less verbatim from Harvey. In the film, Elwood P Dowd also claims ‘I’ve wrestled with reality for 35 years… and I’m happy to state I finally won out over it’. I went to the beach, this day, feeling that reality had definitely won out over me—more TS Eliot and a reality overdose than Jimmy Stewart and an escape from it. But maybe people rarely bring anything small to the sea, either. (more…)
‘Think it possible that you may be mistaken’. This is the final sentence of number 17 of the Quaker Advices and queries (a key text in Quakerism). Is there anyone, anywhere, any time (pass the Martini!) who couldn’t benefit from sitting with that idea for a while?
Here I was, arriving from Oxford at Didcot Parkway on the way to a Quaker Enquirers’ course at the splendidly-named Charney Manor. I was emotionally exhausted after the morning’s encounter with lost youth, and physically exhausted after having a run (flatter than Kendal, but muddier also), wandering round town for miles, and lugging a large backpack whose hipbelt, I discovered too late, was no longer operational. And friends, there’s a lot of train stuff at Didcot Parkway. I mean, a LOT. What with that, and (more…)
‘They are not long, the days of wine and roses.’* This is, unfortunately, true. The hours of wine and rowdies, however, can feel very long indeed. Welcome to Coach A, the Quiet Zone.
I was sharing the carriage with approximately 743 On-Train Revellers—memory may have distorted this slightly—and was feeling hot-flushy, claustrophobic and overwhelmed. All the usual signs were there: a commitment to noise and Having A Good Time, standing in the aisle, heavy daytime drinking coz-we’re-on-holiday, a lot of very loud laughing (often with a (more…)
In her introduction, Duffy reveals the intention behind this collection: ‘we hope that these poems… will hold your hand’. The image, taken from one of the poems included in the book, is simple, clear, effective: it’s about comfort and companionship, recognition and acknowledgement. And I’d say the book does what Duffy puts on the tin.
There’s a mixture of poems you’re likely to have encountered already and poems which are probably new; similarly, there are a lot of familiar voices—Tennyson, Rosetti, Thomas, St. Vincent Millay, Thomas, and Duffy herself—as well as new ones, and anonymous/traditional texts too. Some are suitable for reading at a funeral or memorial; some feel more intimate. I particularly like the fact that such a range of moods is represented in this volume: shocked, angry, bewildered, wry, consoled, consoling, defiant, felled by loss… even in such a small book, something to find you in most moods.
And if you’re new to the poetry of loss, this would be a great place to start.