I read an interview with Alain de Botton in which he revealed that the mirror features in his morning routine only as something he can glance into and ‘check that nothing too terrible [is] happening’. I like that a lot. This is a level of personal grooming I can relate to.
But even that isn’t necessary, of course, if you don’t go out of the house. If all you’re going to do is have a cup of tea, why put yourself through grooming, or indeed dressing, at all? Why take off your jamas/house clothes and brush your hair? (Or at least redeploy it; those among you (read more…)
Sometimes there are just too many bloody lemons. Sometimes you don’t want to make any more feckin’ lemonade. Sod turning your frown upside down and/or scrabbling around in search of the scrap of silver lining. Sometimes you just need to feel as bad as you feel.
It’s been a bit like that these last few weeks. Like many who experience periods of depression—or go through a sadness, which is definitely not the same thing—I dread the questions “what’s wrong?” or (read more…)
You can read this poem here.
Last year, while doing the prep. for a session I was running, I had most of the books off the poetry shelves, looking for texts about friendship that weren’t of the saccharine, emetic, vacuous or Inspirational Verse breeds. I wanted a poem that said something about what friendship is about, how it “works”, rather than merely saying what a Good Thing it is. The celebration of friendship in verse seems to be far rarer, though, than the celebration of romantic love. But I did eventually find a few poems I really liked, which I added to this quiet treasure by Jennings. It was a thought-provoking exercise to go through.
Friendship is, most of the time, both undramatic and glorious. It’s essential without (very often!) causing the pulse to race. I think this poem has the same quality of quiet wondrousness which it celebrates in its subject. It’s written in simple rhyming couplets which are neat without being clangingly predictable. Its rhythm is measured and regular without being stodgy, and is lifted by its judicious use of enjambement. Its vocabulary is unfussy but careful, naming clearly the simple but precious qualities it celebrates—’gentleness… understanding… trust… respect… awe’.
I find the use of the word ‘awe’ really interesting. It makes me think of how friendship—like any of the loves—can remind us, every so often, of the utter other-ness of the other party. This is a real person, distinct from us and with their own set of likes and dislikes, habits and experiences and quirks… and yet they choose to share time with us, to give us the precious gift of themselves. That is indeed awesome—in the Bill-and-Ted sense of great, but also in the proper sense of amazing, wonderful, breathtaking.
In Notes from a Small island, Bill Bryson puts it like this:
‘I counted thirty-three people there ahead of us, huddled among the fog-whitened boulders with sandwiches, flasks and madly fluttering maps, and tried to imagine how I would explain this to a foreign onlooker—the idea of three dozen English people having a picnic on a mountain top in an ice storm—and realized there was no way you could explain it’. And you can see what he’s saying. However. Whether it’s Britishness, or nature, or nurture, in the end it (read more…)
Extraordinary, mysterious and beautiful. And happening live, in front of us, right here, right now.
At the beginning of part two of his autobiography, Clive James comments on his first sight of snow and the English cityscapes, noting: ‘what I was seeing was a familiar [sight] made strange by being actual instead of transmitted through cultural intermediaries’. Replace the word ‘strange’ in that sentence with ‘make-you-weep wonderful’ and you have something of what it was like to see a murmuration of starlings. I’ve seen them on TV and youtube, seen the images reproduced (read more…)