This is a wide-raging anthology of verse from a range of different cultures. Taking loss and grieving as its topic, the anthology is arranged into different sections. It doesn’t use the well-known—and sometimes unfairly-maligned—Kubler-Ross five stages of grieving. Instead, it groups the poems under: ‘reckoning’, ‘regret’, ‘remembrance’, ‘ritual’, ‘recovery’ and ‘redemption’. Apart from betraying the editor’s capacity skilfully to use alliteration (!), this grouping is, I think, a useful one, helping the reader to navigate the book and have a better chance of finding the right text for how that particular moment feels.
For me The Art of Losing is more stimulating than other collections of poems about loss and grief simply because every time I pick it up I meet a new author, or new poem, in which I can delight. Perhaps this is, in part, due to its focus on new and contemporary writing: Young explains that while he he has included a few ‘absolutely necessary’ C19th poems, he has ‘tried to stick to poems that are contemporary classics, or soon ought to be’. Other grief anthologies will give you wisdom, heartbreak and love from across the centuries, reminding you of what is universal in human experience over time. Those anthologies have their place: treasure remains treasure no matter how old it is. But Young gives us the chance to uncover new treasures.
There are too many authors included for me to be able to give any kind of representative list. All I can say is: buy this book. Whether you are grieving now, have grieved, work with those who grieve, or simply want to meet some new poems that will find you, then I don’t think this collection will disappoint. Treat yourself to it.
and the support Ms Day offers to help us see our childlessness in a political context is also inspiring. I absolutely loved, too, the section exploring the different stereotypes which childless women may fear. Apparently “Mad Cat Woman” seems, at Ms Day’s workshops at least, to be the most feared. (And that certainly resonates for me!).
It’s in the post. Should I hire trumpeters, skywriters, a marquee? A cloistered cell in which to grieve? Do I want a Greek chorus to keen over the event, or a Glee chorus to celebrate it? Do I don some kind of ritual clothing, à la Victorian mourning garb, or go out and buy whatever constitutes my personal equivalent of a combover, a sports car or a push-up bra?
I heard a voice inside my head go Cor, in an almost Phwoar-y kind of a way (swiftly followed by a quiet, greenly-jealous voice saying I wish I’d written that). Though Frost is probably not, in fact, saying something very different from “You can’t put an old head on young shoulders”, there’s something so much more palatable for me in coming across the idea in this form; 
And what happens now?